Автор: tora (---.iwf.oeaw.ac.at)
Дата: 27-03-02 14:59
Подшивка публикаций в прессе
25 Марта 2002 "Frakfurter Allgemeine": Im Steptanz durch den Stalinismus: Moskau legt sich ein Musical zu
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Dlya teh kto ne chitaet po-nemetski,
perevod na anglijskij (www.altavista.com)
In the hopeful insight that Dekadenz do not only spread commercial culture, but also patriotic values to promote, two Muscovites singer-songwriters know decided to connect the pleasant with the useful one and to transplant the profitable category musical on Russian soil. On the basis a patriotic melodramatischen Soviet literature collecting main and loans from hit -, romance as well as song traditiontradition song traditions together-knitted Georgi Wassiljew and Alexej Iwaschtschenko a popmusikalisches national selfport-guessed/advised, which is to be admired Nordost. under the title allabendlich in an earlier Soviet culture palace in an industrial quarter of the capital. The Sujet, which is marketed according to all rules of capitalism on various souvenir articles, comes of to Weniamin Kawerins postwar novel Zwei of captains, for which the author received once the Stalin price. History is a classical communist hero pos, which with Sentiment and turbulenceturbulence turbulences before the public let the twentieth century by-pull. In the focal point is located the revolution orphan boy Sanja, which overcomes its childlike speech inhibition and a combat pilot becomes. With him, in consequence embodied by childlike, young persons and adult actors, more genuinly and a false friend as well as a loved girl, whose father on a polar expedition died, develop. To it its brother was debt, which then the verwitwete nut/mother married, that kills itself, when you open the treuherzige Sanja with a farewell letter of the arctic driver the eyes. So even innocently guiltily become it can save the failed ship in the Second World War during a forced landing in the polar ice including its frozen captain and manufacture at least symbolic justice. Production captivates by impressive stage technique. First a streetcar drives on the stage, later a railway train, finally lands an attained full growth airplane, and under the mobile stage soil a whole ship becomes visible, which leads the increasing industrial power of the Soviet Union apart from a picture-dramatic increase also before eyes. The musiktheatralische passage by civil war, new one economic policy, relative times of war and peace realise ensemble ensembletaenze, which carry temperful jazz and step movements forward in proletarian, but pittoresken Soviet costumes and translate so totalitarian history into dragging along eddy wirbeltaenze to schmissigen rhythms above all. Mass-cultural minimization instead of processing of its history is that, to which the Russian society is able, why commercial success seems secured at the native public. The producers would like to attract however also after the model of western musical long-lasting phenomena foreign tourists. Certainly can offer the music mixing machine carried forward by a whole Live orchestra no brilliant melodies, also the singing arts of the Solisten leave to be desired to be silent from the all too schematic stage characters completely. A love-worth provinzieller amateur charm is for it a weak remuneration. KERSTIN CROSS-BEAM
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